Showing posts with label erotica. Show all posts
Showing posts with label erotica. Show all posts

Friday, June 25, 2010

Fantasy Shared


If I had my way, I’d make “Free Fall” assigned reading for every man interested in or currently engaged in a relationship with a woman. In other words, I’d like you men to read a book about a woman in the throes of passion.

After, I’d demand (since I’m in control of this fantasy, I can demand) an essay. The essay question: What scares you most about what you’ve read?

I know, it sounds like torture. Perhaps an exercise like this is torture because no one, especially men, want to admit to fear. And anyone reading this can guess where I’m going: Men, some anyway, fear certain things about women. It may look like disdain or discomfort or anger or dread or impatience, but I’m saying fear plays a role in the man/woman dynamic. I’m saying something else, too. We fear what we don’t fully understand.

Here’s how I see my fantasy assignment working: I’d lock each male into his own little room. Men, you’d have all the comforts: a couch to stretch out on, a good reading lamp, lots of munchies, a couple of bottles of wine, and a sock. A sock? One thing you may not know is that “Free Fall” is hot.

Want some music? Sure. A bag of chips? Fine. A little break for a televised baseball game? All right. But you can’t leave till you’ve read “Free Fall” and written your essay. An honest essay.

Here’s what I think the essays would suggest, not in these words exactly, but the message would be clear:


Before I read “Free Fall,” I could feel myself growing anxious when my wife spoke because her language contains words that reveal emotional content.

I don’t want the bother of a woman’s emotions because it makes me nervous.


I’m uncomfortable knowing what my girlfriend feels. I don’t know what to do!


I fear that what she’s saying is going to require that I do something.

I fear that I won’t be able to meet expectations.

I fear I won’t be able to understand what is needed.

I’m afraid of complications. I want out of here.

Or: Damn it. Why can’t we just keep it simple?

Believe me, I’m not finger pointing. I’m trying to understand.

The difference between “Free Fall” and “Deep Throat,” between erotica written by me, a woman, and a pornographic movie is that in “Free Fall” I please Jim and Jim pleases me but … I allow access not just to my body but to what’s going on in my head. In “Deep Throat,” one of the few porn movies I’ve seen, it’s sex minus thought or feeling.

My last book-related event took place at the Rockport Public Library on Wednesday evening. It was a panel discussion I organized and the topic was writing memoir. One of the panelists I invited was Amy Ferris, a fellow Seal Press author, with her own new book out titled “Marrying George Clooney: Confessions from a Midlife Crisis.”

Amy is a soul mate, as I see it. She’s taken on menopause the way I’ve taken on passion, and she’s dug into the weeds on it. Attendance that evening was excellent and people were very interested in Amy and what she had to say. Men, too, asked lots of questions but I am sure they will not buy and read her book. It’s about women. It’s about menopause.

And here’s the thing: The book is a delight. It’s entertaining. It involves men, in particular her wonderful husband Ken. Men, if you read “Marrying George Clooney,” think how much better prepared you’d be when your own mother or wife experiences menopause. I’m here to tell you, menopause is a group experience. Why not get a jump on it?

So I’m rethinking my fantasy. It now goes like this: You men must go into that room, not just for the 8 hours or so it takes to read my book, but for a week. Inside the room is a bookcase filled with “women’s” literature. You must read our literature just as we have read your literature. Your literature, in fact, has been assigned to us over the many years of our education and beyond, by our teachers and professors and Publishers Weekly (last December, their top books of 2009 contained not a single book written by a woman) and the New York Times book reviews and on and on.

All right. All right. I’ll allow conjugal visits.

But before I do, I’d like to see a rough draft of your essay. It will be a much more equitable world when men read women the way women have always read men.

Fantasy concluded.

Wednesday, May 12, 2010

How Sex Found its Way into 'Free Fall'

Part I of an occasional series on writing about sex



I didn’t set out to write about sex. I wanted to write about a cathartic love affair in the context of a life swamped by mounting complexities. I had a story to tell and themes I wanted to explore and comment on. Because I’m a journalist and have a journalist’s desire to share important information, no sooner had I grasped the significance of the affair than I began to draft essays about it.

The “context” I mention — the details — included a combative relationship with a hair-trigger boss, a significant other who wound up in ICU — the first of seven hospitalizations in 2007, a creative and fulfilling career in an art museum, euphoric runs along the ocean near my home in Rockport, writing projects, reviewing books, frequent travel, good friends, aging, mental illness, music, joy. The fact that sex ended up in the book doesn’t surprise me since sex was a big part of the love affair. And sex was the model for letting go, for having a free fall and, ultimately, for making change. It seemed essential to the story.

One journalist who read the book and wrote an article afterward said, “It’s a unique book. I’ve never read anything like it.” As a book reviewer and the writer of the book proposal that included a “survey of literature,” I came to see why she made that statement. “Free Fall” is 100 percent me, in my free-falling voice, written in the most honest way I could find. I wanted to paint 2007 for readers as sensually and as impressionistically as I had experienced it. This took work and numerous rewrites.

I recently looked at a blog titled “Bespoke Erotica” that Harpers.org linked to in May. The writer, Joshua David Stein, barters with readers who would like their own personal erotica. They provide him with three words and he writes an erotic story for them.

From his April 25 story on Tumblr, he begins:
Rhys felt the warm Caribbean breeze against alabaster ass cheeks, exposed westerly as Abel knelt also westerly with Rhys’ knob betwixt his lips. Things were going well for the lovebirds. Rhys moaned contentedly; Abel hummed and drooled. To read more: http://bespokeerotica.tumblr.com/

In “Free Fall,” there’s no cum or alabaster ass cheeks or fantasy islands, though breasts and a penis are referenced a number of times. But I had to be careful because I didn’t want jargon and the mechanics of sex to get in the way of what was going on emotionally or psychologically. On the other hand, the act of sex was how I found my way to some of the deeper issues I’d begun to reconsider, such as my penchant for control, dependence vs. independence, the experience of joy. Not to mention, the mechanics of sex, presented with less grit and more authenticity, can be erotic but challenging for most writers to pull off.

With regard to Joshua David Stein, I would not barter for one of his personalized stories. Why did Harper’s link to his erotica? Do men like different erotica than women? Why are some people offended by writing about sex while not about watching sex in movies and on television? These are questions for other essays in this occasional series of writing about sex.

I couldn’t have guessed that sex would trigger major life changes. I didn’t pay attention when reading Freud in my sociology classes and I hated it when my mother espoused Freud. I was naïve. I thought I was going to have a fling. Think again. Sex causes big things to happen, like babies and marriage and the end of marriage … and everything I wrote about in “Free Fall.”

Friday, January 22, 2010

Describing "Free Fall"



The 'erotica' tag

I've publicized books, events, art exhibitions, plays and even a movie. So when the time came to help with the publicity of my own work, I wanted to be an asset to my publisher. My own expertise was only a part of why I thought I could be helpful. I quit my job to become a full-time writer. I need to prove to myself that the last two years were worth this investment. And I, like most of us, need to earn money. I've earned very little in the last two years and cannot afford to put my home or my life in financial jeopardy. Finally, "Free Fall" is my baby. I want to work hard for her.

Writers can certainly help, if not drive, their book's publicity campaigns. But before that can happen, they need to step back from their work a bit and look at it from varied perspectives. I wrote "Free Fall" as a story about a love affair that ignited as my 18-year relationship with my mate flamed out. One of the themes has to do with the vulnerabilities we all experience when mental illness touches us in some way. After I wrote "Free Fall," I ran a focus group in NYC, only to discover that the participants disagreed with my take on the book as the story of a passionate love affair. They said the book was about a heroine's struggle to make moral choices under chaotic circumstances, when nothing seemed black or white. They were more drawn to the themes of mental illness than to the love affair, it seemed.

Then, more recently, I noticed that on the back cover of the bound galleys, my book had been categorized as erotica. In future postings I want to talk about what has been like to write erotica and how erotica is seen in this society. "Free Fall" will become available on April 6. Then I will begin to see how it's received and how I will deal with it.

For now, though, I need to stick with this one thing: "Free Fall" is erotica and that changes things for me. A month ago, I sent several authors I know, some fairly well, requests for endorsements for the back cover. Many have not responded, which I find uncharacteristic. Now I realize they may have seen what I did not, that the book is erotica and they are not in a position to endorse erotica.

To properly market anything, whether it's an artificial sweetener or a baby diaper, you need to understand the product's intrinsic value and create the brand from that core understanding. I needed help understanding what "Free Fall" was about.

A friend, also a marketer and a writer, talked to me about this the other day. "That 'Free Fall' is classed as erotica is to be expected." I agree with her. Intense erotic bits wind through "Free Fall." "Free Fall" is a year in which I lived an erotic life, after all. I was highly sensitized, sexually. The substance of my sexual experience — a certain relinquishing of personal power — was the metaphor for the new way I had chosen to conduct my life. "Psycho-sexual" is an apt descriptor of my mindset, the world I inhabited, the view from me, so to speak.

Yes, I wrote "Free Fall." And, yes, I write a book review every week that runs in newspapers around the country. Writing book reviews means that in 500 to 1,000 words I try to glean a book's essence and pass it on to people interested in reading about books. But artists can never really know how their own work is going to be perceived. In the twelve years I wrote a weekly personal essay called "Opening Remarks" that ran in some of the Ottaway newspapers, I was often surprised when readers would come up to me or write me about something I wrote. What they took from my essay and what I intended were sometimes quite different.

So now, no doubt, my mission will be to find a way for "Free Fall" to take its place, at least in the way I present it, side by side with other contemporary literature. I think its value is in the way sexuality is integrated with day-to-day life. It's said that women think of sex once a day while men do so every 54 seconds. In "Free Fall," I hope to remind Baby Boomers how much pleasure our bodies can bring us. To do that, I have to come to terms with what my book is about. I'll be a better marketer and messenger once I can comfortably discuss the book's intrinsic value.