Thursday, August 5, 2010

Thanks. I Needed That


It’s been a week since the prostitute slapped Don Draper across the face, but I’m still in wonderment. It’s not the slapping that’s got me interested but people’s opinions about why a man like Draper needs someone from the weaker sex, as women were thought of back then, to abuse his handsome face.


Sex workers, like Xaviera Hollander
a k a The Happy Hooker,
on right at the Museum of Sex in Manhattan,
have been hired by many a man in need of pain.

It’s only TV, I understand, and “Mad Men” is a period piece, to boot. What could possibly be inferred from scenes depicting a good-looking man decades back in time ordering, not a martini, but a rather impatient sex worker to just do it, for god’s sake. Slap me, he orders. Again. And again.

Draper didn’t look good in the season premier. Way before the slapping ensued, the man looked sallow, wiped out, bedraggled. Even his attire seemed slightly less fastidious. I guessed that it had been an exhausting hiatus between seasons. Perhaps he’d made a couple of movies instead of hanging at a pool. Draper didn’t project the ruddy glow I admired when we recently watched Season 3 on DVD.

The slapping incident provoked a lot of discussion in my household, where two 6-foot, 5-inch men (Jim, the father and his 42-year-old son) told me why they thought men, especially men who are important bosses, want dominatrices to slap them. As far as I know, they are not speaking from personal experience but that doesn’t stop them from proffering conjecture. And though I haven’t slapped any man myself, it hasn’t stopped me from countering their conjecture with some of my own.

According to Jim, the greater your altitude on the corporate ladder, the greater your need to be slapped into submission. A man bosses people and wants some bossing in return. Thus, the necessity of the dominatrix. It’s simple.

Maybe, but that’s not what’s happening to Don Draper.

Draper hates himself. Some of us, in fact, have a love/hate thing going with Draper as well.

He’s responsible for his brother’s death. He cheated on his wife so often it got boring, even to him. He’s awfully mean to wonderful Peggy, the one person with real talent at the firm. He just stole a lot of customers from his former employer. He sulks for reporters. And he has hissy fits with important clients. Of course he needs a good slap.

Frankly, he probably didn’t need to pay for it. There are plenty of people at his new company who would relish the opportunity.

Here’s where I differ with the CEO-needs-subjugation theory. Draper is not likely to relinquish control. The most he’ll do, probably, is get naked, flop over onto his back and let the goddess he pays handsomely for take the power position.

“Do it,” shouts the commander. And she does it. Whap. “Again,” he demands. Whap again. She looks disgusted. Well, there’s physical pain and emotional pain. He’s so bad he requires both kinds.

Whap.

Gosh. That looks like it hurts.

Good, thinks Draper. This is all good. There’s enough pain generated here tonight for another round or two of ethically questionable shenanigans. Rest assured, folks. There will be a Season Four.

We humans do engage in all sorts of self-inflicted pain. In Draper’s case, he pays for it and he asks a woman — a gender of lesser value to him — to hit him. He gets the full gamut of abuse, from the slap to the humiliation.

Some people cut themselves, eat to excess or put themselves in harm’s way with a mate who’s abusive. There are all kinds of ways we can hurt ourselves. Eating a few too many Big Macs is harmful. But the kind of hurt Draper craves, requiring a witness and a violent act, pulls the self-loathing from some dark well in the psyche to the light of day. The sting is akin to comfort. It puts Draper in touch with his feelings of guilt. It’s the closest he gets to cause and effect.

When, in all the affairs we’ve seen him engage in, did he evidence the slightest twitch of discomfort? Never.

Draper takes his medicine and gets on with it. It feels like confession — a brief encounter with an arbiter and then you’re off to live your life in much the same ways you did before. A slap is recompense. The permanent loss of something valuable, like your family or your competency, is more cathartic. But Draper is not ready to change.

Advice to Draper: Get a facial. That face workout seems to be turning your skin to leather.

Thursday, July 29, 2010

Emotion Ocean


Emotions. Don’t ask me. Just toss me a life preserver. It’s just one big upheaval and under I go. Hey. Somebody. Help!

Recently, Jim’s daughter told us that her friends held a “Free Fall” event at a restaurant. There, the lot of them treated her to a spirited reading of the sex scenes between Jim and me that I detailed, with some specificity, in my memoir. Father and daughter shared a hearty laugh over this incident. Tears of hilarity welled in their eyes. She retold the story. And retold it again. All good fun. He dabs at his eyes with the corner of a napkin. She smiles. A good storyteller can’t help herself. And she has a hum-dinger.

Uh oh, I thought, looking on at the two of them. This is going to be a problem. Why? I’m not laughing, is why. I’m the opposite of laughing.

I can diagram the mechanics of an emotional reaction with the accuracy of a scientist. Think of it as the physics of a hissy fit. I just can’t do much about containing it.

Here, in Part II of the restaurant incident, I detail the 12 stages of emotional meltdown. Whether 62 or 2, it’s terrible.

1. Trigger: Something dreadful happens, like my lover’s daughter relates an abhorrent incident, and my lover bellows laughter. Contagion. Others guffaw.

2. Confusion: Huh? What just happened? I feel a little strange. Alienation.

3. Chaos: Impulse in. Reason out. Wild energy — adrenaline? — shoots out the top of my head. I am lightning. I crave discharge.

4. Freeze: Ow. Holding it in hurts. But something, a kind of emotional rigor mortis, has turned me rigid. Mortification.

5. Cognition: Adrenaline rush subsides. What’s this? I think I’m pissed off.

6. Choice: Quick. People are wondering where my guffaw is. What to do?

a. Display anger — “In my next book, worm man, you couldn’t lure a dogfish.”

b. Play Miss Congeniality — “Very funny, dudes. What did you love most, guys, the blow job or the Orange Motion fantasy?”

c. Deliver The Look — “Tell me the truth, girl. You learned a trick or two yourself, right?”

d. Detach and Move On — “Hey sweetie. Have you stopped going to the gym or what?”

e. Drink — Alter one’s consciousness till sanity catches up to you. I choose “e” and keep my mouth shut.

7. Go Passive: My affect flattens. I circle my psychic wagons. Put on a neutral face. Relax hands. Make level eye contact. Bite tongue and loosen only to imbibe.

8. Phew: Surfacing now. Breathing again. A modicum of self-control restored. I suspect that I will not say anything I regret. On the other hand, I will not say anything.

9. Reckoning: I start to wonder: What precisely am I feeling? What don’t I like about what’s happening? What should I do? What are the words needed to convey my distressing message? Shit. Must I?

10. Snickers vs. martini: Some truths require a soothing tonic. Pause here for a treat.

11. Emboldened: Say it.

12. Free Fall: No regrets.

Jim is the rod to my lightning. I light up his world. Not necessarily in a good way.

Thursday, July 22, 2010

'Free Fall' Gets Passed around the Table




A group of young adults read sexy passages
from "Free Fall" out loud in a restaurant
while Jim's daughter sat and listened.



A newspaper editor I worked for said, and I paraphrase: Once you write the words down, they no longer belong to you.

I understand what he means. Whether it’s an e-mail or a book or a journal, once I create it, it’s out of my hands. This is true of many of our most valued works, from the children we bear to our signature recipe for coq au vin.


I should not be surprised, therefore, by what happened to my erotic memoir, “Free Fall: A Late-in-Life Love Affair,” a few days ago.

The book is, among other things, a candid and passionate portrayal of my love affair with Jim. The long-distance affair began when Jim was 67 and I was 58. “Free Fall” celebrates adult sexuality and explores major life changes, especially those prompted by increasingly untenable situations. As you can imagine, Jim and I had plenty of life under our belts when we came together, including four grown children.

One of these young adults recently sat at a table in a restaurant with a group of friends (my imagination insists they were intoxicated). The friends took turns reading aloud the graphic sexual passages to Jim’s daughter. My imagination also insists there were plenty of snickers and loud guffaws.

There’s a lot to be said about this incident, from the disrespect paid to the young woman whose cherished father and new lover were the butt of their joke, to the lack of consideration to the literature and the other restaurant patrons, to the possibility that this may have been done while the young woman remained in their highest esteem.

Another of our children, a librarian, had a very different experience. My daughter’s friends bought, read and posted reviews of the book on Web sites like GoodReads. They wrote both of us, sending along congratulations and rave reviews. One of her library manager friends invited me to her library to read to patrons. It was one of the best nights of my life: my daughter, Jim, my daughter’s good friend and a group of interested and open-minded patrons together sharing stories.

Jim was amused and unbothered by what his daughter’s friends did. It’s something men do to each other all the time, he said. They jam you up, test your mettle, play a form of psychological chicken.

As a woman, and the author, my take is different. There are numerous short but graphic erotic scenes in “Free Fall.” A group of young men and women taking turns reading these sex scenes aloud in a public place feels akin to a verbal assault. We all knew that Jim’s daughter had no interest in reading about her father’s sexual activities.

When I asked my daughter what she thought, the first thing she said was, “This is how it is with books. Once you write it and publish it, it’s no longer yours. It’s like a book burning, only mockery.”

In “Free Fall,” I write a lot about letting go, staying open, not holding on so tight to what I think I know. Once again I find there is no such thing as a lesson learned for keeps. You learn a lesson in the moment and relearn it, when the need arises.

Good luck, “Free Fall.”

You can find this blog post on author Joan Price's blog this week. Joan is a leading authority on senior sexuality and fitness. Find out more! http://www.betterthanieverexpected.blogspot.com/

Tuesday, July 13, 2010

A CAMPFIRE READING: It was too hot to light the fire




Question of the day

If a writer gives a reading in a forest, will anyone hear it?

Answer

I told my friends beforehand: My campfire reading in the vast and wild northern New Hampshire is going to stand as the pinnacle of my career as a published author.

Pinnacle reached Friday night. Prediction accurate.

The township of Pittsburg NH, geographically the largest in the country, only has a population of around 800 residents. By the looks of things, there are more moose per square mile than people and more lakes than any other place in the United States. More exploits. More feistiness. Here’s one example: In the early 1800s Pittsburg formed its own militia, made its own money, appointed its own Supreme Court, passed its own constitution.

What book experience could touch a campfire reading up there on the Canadian border, where newspaper articles and events listing, fliers posted kindly by libraries and hotels from Lancaster north did little to pull in the crowd. Not even word-of-mouth worked. It was Facebook, a tool (however sketchy the Internet) that builds lifesaving virtual networks in long winters that did it.

Ask an author to choose: Oprah vs. reading to people in a circle in the woods accompanied by the cry of the loon and the winking of fireflies and the wilds encircling us like a dark and wondrous fairytale.

Question: What am I getting at? Answer: This place and its people are magical.

What do I know about being on Oprah? Nothing. But in terms of sheer fun and novelty, a reading by a campfire in Pittsburg NH, way up north on the Canadian border, is as good as the hot fudge sundae you get at Moose Alley Cones a half mile north on Route 3.

I can go no further until I talk about Lisa and Tim Savard, owners of the Cabins at Lopstick. They need to write their own memoir detailing their exploits as successful and hospitable lodge owners, fishing and hunting guides (Lisa was the first licensed female fishing and hunting guide in New Hampshire), commanders of fleets of snowmobiles in winters, branders of business, artful decorators, adept at survival in a deep freeze seven months of each year. I thank them both profusely.

Tim gave me a reading lamp hooked up to electricity, there in the woods. He gave me a leather chair from which to hold forth and a circle of chairs upon which our guests sat and listened. Lisa provided homemade sangria and a platter of gorgeous bruschetta. She posted the event and talked it up and people came: an ER nurse practitioner who stands in for doctors in that lone hospital in the North Country, a psychologist, an advertising and branding specialist with advanced digital tools and expertise, a newspaper owner, etc.

One woman snowshoes alone in the deep winter woods at night with a lamp clamped onto her forehead. They’ve been known to face down bear. They toil long hours coming up with yet the next ingenious enterprise to help make ends meet. I love the creativity and the zeal for life.

I share passages from my memoir. I read about love and sexual attraction and they think it’s grand. One woman says she gives little vibrators as party favors, ensuring her popularity and lots of invitations. Another talks about the lively smut shop she’d love to run in New Orleans. Another acts out a bout of womanly hysterics, the turn-of-the-century cure for which was a prescribed course on the doctor’s large vibrating machine. A couple’s little dog wriggles out of its collar, clearly annoyed by the antics of the humans, and escapes into the waiting woods. Party ends. We hightail it after baby frou-frou, bow affixed to an exuberant topknot. Hurry! She’s the perfect tidbit for the wry coyote or sage fox sneaking about on the periphery.

As a child I was the transfixed onlooker at many a lively campfire. That was out West in the deserts, the high Sierras, the arid mountains and campgrounds inland from my hometown of Santa Barbara, and on beaches late at night when I should have been home in bed.

Bonding around a campfire over a good story is something I still crave.

There’s nothing quite like the smell of pine, the sound of the loons floating up from the First Connecticut Lake, the rustle of varmints in the brush, the crackling fire, the blood red sangria, the people gathered around, mere miles from Canada, in a huddle under a stew of stars so thick it seems that you could reach out and scoop them up. Fireflies zig and zag to form a perfect sphere of twinkling lights — that we inhabit — from rich earth to North Star. Quiet little words spoken from my book drift into the mix. Who better to understand Free Fall than these daring and hardy folk?

Summary

If a writer gives a reading in the Pittsburg woods on a lovely summer evening in July, interesting people who’ve checked Facebook will come. Some will bring their pets, sangria, friends, a sense of adventure. All will go home thinking: Yep. Anything can happen here. A moose running through the garden. Two adolescent foxes frolicking on the side of the road. Great views from Mount Magallaway. An erotic reading. That’s why I came to Pittsburg. You just never know.

Thursday, July 1, 2010

Free Flow


There’s a lot of debris clogging this harbor, metaphorically speaking. Something has to give.

I’ve been reading a new book called “Seven-Tenths: Love, Piracy, and Science at Sea,” by David Fisichella. He writes about the ocean’s many layers of currents, the volume of water in each current, temperature, speed, salinity, water density. There’s even a special nomenclature (Sverdrup) for describing water volume because there’s so much of it. That book had me thinking as I slogged through my 8 a.m. run on Sunday. It was 78 degrees, 62 percent humidity, and the Hudson River Parkway smelled like the inside of an exhaust pipe.

Nature is where I get my best lessons and I never have to look that hard.

Oceans are deep, vast and complex organisms. Sometimes I sit on my Rockport deck, as I did the other night, and look out over an Atlantic Ocean so flat and still I cannot believe a wave could be tweaked out of that expansive lethargy. Air’s movement across the surface abrades, piques, teases ripples that join other ripples. Waves crash at our feet. That’s all just surface activity responding to external forces.

Fisichella tells us that waves can travel in opposition to current direction. Rogue waves — unexpectedly large and powerful aberrant waves — derive from this phenomenon and they can be troublesome.

So, too, women’s internal workings and surface responses can be at odds. I speak of women of my generation. We grew up feeling responsible for our fellow man and woman. From that orientation, many of us find ourselves striving for unity, harmony and compassion among friends, family and colleagues.

It’s not easy being nice all the time. I, like others, have engaged in a long and frustrating struggle to reconcile opposing forces: my valued role as humanitarian vs. my responsibility to my singular voice.

Does this sound familiar? Like something in assertiveness training we never really caught on to the first time we heard it in the early ’70s? Only a year or so ago I heard Gloria Steinem and Suzanne Braun Levine admit to a large Barnes & Noble crowd that they still had trouble saying “no.”

Saying ‘no’ — code for direct communication — feels counter-community.

About a year ago I met one of my clients in a train station. I was just coming into Boston from New York City and, after weeks of doing business by telephone, we were going to have lunch and discuss face-to-face the events we were planning to promote his new documentary film.

I recognized him and approached. Immediately the 6-foot, 5-inch man began yelling. “What’s wrong?” I asked. “You,” he shouted. “You are what’s wrong.” He stormed off to the Dunkin’ Donuts kiosk to order a few doughnuts and coffee. When the non-English-speaking server got his order wrong, he shook a long stick-like doughnut in her face and screamed obscenities. The doughnut broke off and flew across the counter. Everything she did enraged him more but when she handed him a pink frosted doughnut instead of a Boston Crème concoction, I thought he would smash it in her face.

I shoved money at her and dragged him by the arm to a seat in the station. “Where’s your wife?” I shouted, desperate for help. She was across the country and I was there, stuck with this madman, just a day before a long weekend full of events I’d already been paid to publicize and oversee was about to commence.

My job shifted from arts publicist to psychiatric nurse as he trained the invective stream back on me. Any minute the police officer I saw out of the corner of my eye was going to arrest him.

My one overriding reaction while the encounter was taking place? As absurd as it seems, all I could feel was this: The man is suffering.

At least I had the common sense to cancel lunch, though I sat with him 40 minutes as he settled down and explained his concerns about getting an audience, getting bloggers to cover the events, getting interviews in all the big newspapers. He was a man of little faith and enormous rage. The last leg of my train trip to Rockport from Boston was spent managing my PTSD-like shakes. It had been a truly horrid time and yet I never did the one thing that could have saved me. Instead of walking away, as I should have, I stood and tried to help him calm himself and avoid the embarrassment of a confrontation with police.

I could have said: I quit. I could have said: Goodbye. Call me when you’ve got a grip.

Diplomacy takes precedence and my form of diplomacy clearly isn’t as forthright as I want or need it to be. This problem, I suspect, is surmountable. It has to do with knowing what we want, what we want to say, and finding a way. I am of the school of problem-solvers for which there is always a way. But we have to factor in the reality: For women there’s a nuanced art to speaking honestly, being heard, helping and not offending. When we activate our voices, we are doing so in the context of community.

I call myself ‘politic,’ but that way of thinking has become a rationalization for a form of verbal cowardice or confusion.

Since my memoir Free Fall has been published and since I no longer report to a day job, I’ve had the privilege and time to take a deeper, closer look at myself. Believe me. This was nothing I would have volunteered for. It hasn’t been fun or easy. I’m not distracted, like I was, by a contentious boss or the ongoing threat of a loved-one’s suicide. I wake up and the first thing I think about is not work but the knot of anxiety in my gut. Why is it there? What is it?

Now, with nature in front of me once again as a model, I see what needs fixing.

The gradual clearing out I desire has to do with opening up the harbor, letting the waters flow in and out as conditions shift and change. I want currents to align with surface activities, to say what I mean.

The next time my client wields a doughnut as if it were a weapon, I would like the presence of mind to hand him a cup of coffee and say, “Dunk it.”

Friday, June 25, 2010

Fantasy Shared


If I had my way, I’d make “Free Fall” assigned reading for every man interested in or currently engaged in a relationship with a woman. In other words, I’d like you men to read a book about a woman in the throes of passion.

After, I’d demand (since I’m in control of this fantasy, I can demand) an essay. The essay question: What scares you most about what you’ve read?

I know, it sounds like torture. Perhaps an exercise like this is torture because no one, especially men, want to admit to fear. And anyone reading this can guess where I’m going: Men, some anyway, fear certain things about women. It may look like disdain or discomfort or anger or dread or impatience, but I’m saying fear plays a role in the man/woman dynamic. I’m saying something else, too. We fear what we don’t fully understand.

Here’s how I see my fantasy assignment working: I’d lock each male into his own little room. Men, you’d have all the comforts: a couch to stretch out on, a good reading lamp, lots of munchies, a couple of bottles of wine, and a sock. A sock? One thing you may not know is that “Free Fall” is hot.

Want some music? Sure. A bag of chips? Fine. A little break for a televised baseball game? All right. But you can’t leave till you’ve read “Free Fall” and written your essay. An honest essay.

Here’s what I think the essays would suggest, not in these words exactly, but the message would be clear:


Before I read “Free Fall,” I could feel myself growing anxious when my wife spoke because her language contains words that reveal emotional content.

I don’t want the bother of a woman’s emotions because it makes me nervous.


I’m uncomfortable knowing what my girlfriend feels. I don’t know what to do!


I fear that what she’s saying is going to require that I do something.

I fear that I won’t be able to meet expectations.

I fear I won’t be able to understand what is needed.

I’m afraid of complications. I want out of here.

Or: Damn it. Why can’t we just keep it simple?

Believe me, I’m not finger pointing. I’m trying to understand.

The difference between “Free Fall” and “Deep Throat,” between erotica written by me, a woman, and a pornographic movie is that in “Free Fall” I please Jim and Jim pleases me but … I allow access not just to my body but to what’s going on in my head. In “Deep Throat,” one of the few porn movies I’ve seen, it’s sex minus thought or feeling.

My last book-related event took place at the Rockport Public Library on Wednesday evening. It was a panel discussion I organized and the topic was writing memoir. One of the panelists I invited was Amy Ferris, a fellow Seal Press author, with her own new book out titled “Marrying George Clooney: Confessions from a Midlife Crisis.”

Amy is a soul mate, as I see it. She’s taken on menopause the way I’ve taken on passion, and she’s dug into the weeds on it. Attendance that evening was excellent and people were very interested in Amy and what she had to say. Men, too, asked lots of questions but I am sure they will not buy and read her book. It’s about women. It’s about menopause.

And here’s the thing: The book is a delight. It’s entertaining. It involves men, in particular her wonderful husband Ken. Men, if you read “Marrying George Clooney,” think how much better prepared you’d be when your own mother or wife experiences menopause. I’m here to tell you, menopause is a group experience. Why not get a jump on it?

So I’m rethinking my fantasy. It now goes like this: You men must go into that room, not just for the 8 hours or so it takes to read my book, but for a week. Inside the room is a bookcase filled with “women’s” literature. You must read our literature just as we have read your literature. Your literature, in fact, has been assigned to us over the many years of our education and beyond, by our teachers and professors and Publishers Weekly (last December, their top books of 2009 contained not a single book written by a woman) and the New York Times book reviews and on and on.

All right. All right. I’ll allow conjugal visits.

But before I do, I’d like to see a rough draft of your essay. It will be a much more equitable world when men read women the way women have always read men.

Fantasy concluded.

Sunday, June 20, 2010

Pajama Party!

When you're in love, sunsets have more colors

My “Free Fall” readings and especially the discussions afterward remind me of pajama parties.

A combination of things contributes to this post-reading — shall we call it ambience? — including the type of book I’ve just published, the make-up of the audience, and the wonderful way readings in local libraries and independent bookstores are warm and intimate. It almost can’t be helped. For now, though, I’m leaving my actual pajamas at home.

Case in point: the reading at Jabberwocky Bookshop in Newburyport last Thursday night.

After reading for 15 minutes, which is about as long as people really want to sit quietly on aluminum chairs and listen attentively, I stop and grope a bit for a few remarks that reference what I’ve just read. I do this to give people time to exit their passive listening state, send a little blood to their glutes, and allow their questions to percolate up to consciousness.

On Thursday we talked about the fact that we don’t talk about this stuff (i.e. sex). Then we launched in, beginning with anecdotes — older friends and relatives who are in their 70s and 80s and enjoying burgeoning love affairs. Said one woman, “She’s so giddy, like a schoolgirl.”

Yes indeed. Good sex can be a little like speed: you can’t stop talking, your smile pulses “Hello there!” and everyone comments on your luminosity, you lose 50 pounds and your desire to complain. You drink wine, burn candles and suddenly notice the spectrum of colors in sunsets. What you need to watch out for, however, is the tendency to run on empty for days and weeks. When you emerge from this hormonally induced state, you’ll probably be exhausted. The older you are, the harder this is for your body to handle. You won’t care.

We talk a little more about passion, available to anyone at any age, and more join in. A sensitive issue comes up: What about married people for whom sex is not necessarily as exciting? Not only is the sex not new, but the two main players know what irks and what riles — death to passion, really. Are we to leave this out of the discussion? The book is about passion but the discussion leads to maintenance issues or, worse, ‘working’ at the sexual relationship. Oh please, I caution myself, never make this part ‘work.’

I point to Jim — I call him Exhibit A these days — and he smiles on cue. “We’ve been at this for three years now. We make adjustments, as well, to honor the sexual part of the relationship we discovered late in life. We’ve talked about this. We like sex and want it to last. Thank goodness for candles and martinis and date night.”

And, I think to myself, thank goodness for Jim. For here is another thing: Paying homage to your loved ones so they can hear you is essential. As Jim once said to me, “Almost nothing is as seductive as being adored.” Tell each other what you really like about him or her and make sure some of the items on your list have to do with their sexuality and the ways they turn you on.

Jabberwocky Bookshop is special. Owner Sue Little has set aside a room set for readings. It’s large enough to accommodate 50 or more people, but the chairs seem to wrap around like a circle. I like the feel of the conversation that comes to the fore here in the green room, as it’s called. People freely associate. One thought leads to another. One question prompts the next. I don’t have anything to teach here; the role I take on is that of writer with info. Because I’ve written a book that touches on gender issues, sex, career and power, mental illness, passion, creativity and more, I can at least share what I’ve learned from writing, thinking and talking about these issues with other people.

So we talked. It felt intimate, friendly, curious, open. In the same ways being a journalist allows me into other people’s lives with the probing and personal questions I sometimes have to ask, writing and publishing a book give me access. Access like this is a gift. Here, in this dedicated room, people pull up their chairs and speak. We compare notes. We share intimate thoughts. Guess what? You’re never too old for a pajama party. Books are like pajamas, I guess. They open the way to deeper conversation.