It was a beautiful fall morning in 2000 or 2001 when I drove north to Warner, N.H., to spend the day with Maxine Kumin. I was working on a profile of Kumin for The Larcom Review, a literary journal published by author Susan Oleksiw.
Reading last week about Kumin’s death at the age of 88, I thought
back to that absolutely horrid afternoon at her farm in Warner. It was the
worst interview experience in my career as a journalist. It provided me with a
new truth: I could not salvage something just because I put my mind to it. My usual
tools — research, persistence, compassion, curiosity — were as useless as my
questions that she slapped down, one after the other. By the time I left that farmhouse, Kumin was sputtering.
I was motivated to do the interview because I’d recently
read and reviewed her unforgettable memoir, “Inside the Halo and Beyond,” about
her arduous recovery from a broken neck and numerous broken ribs. One of her
most beloved horses was pulling the carriage she was racing when a truck
spooked him. Kumin flew off the carriage and the horse pulled the carriage over
her. More than a year had passed. She and her husband were back to maintaining
their farm and her horses. I remember her saying she had no intention of ever leaving
there.
A few years before that, Kumin had been keynote speaker at a
small writers conference I attended in New Hampshire. She spoke about her close
friendship with Anne Sexton and about her profound grief after Sexton’s
suicide. She was so honest and heartfelt the whole room felt a connection. Kumin
was a feminist, a part of history, a survivor, a Pulitzer Prize-winning poet as
well as the U.S. poet laureate. I loved her. After reading her book, I had to
see and hear from the person who beat 95 percent odds. Not only had she lived
but she walked and she wrote and she farmed. I wanted to see that kind of will
up close.
The first thing she did was introduce me to her horses. “Come
out back and say hello,” she said. Was this a test? Or did everybody but me want to snuggle up with a bunch of horses?
I didn’t have time to put down my purse or my notebook. We
walked to the corral in back of her farmhouse. The horse who’d been spooked by
a truck was among the six or seven horses gathered there. I was paralyzed with
fear when all of them — so much taller than I, it seemed — galloped over to
greet us. We got into a bit of a tussle over who would get to have my
reporter’s notebook. They nudged, nuzzled and bonked me repeatedly. I could
barely keep my balance as Kumin stood back, smiling as her brood
enthusiastically welcomed me. Words like stampede
and crushed and horseflesh were whirling through my anxiety. I tried, of course, to
conceal my terror but I’m sure it was obvious. By the time we left the corral,
I smelled like wet hay and mud and manure. My reporter’s notebook was slimy. My
Ferragamo flats were caked with dirt. I slipped into the living room, ahead of
Kumin, to find her husband on his knees, tending the fire.
Though my stated purpose that day was to follow up on the
accident and see how a working writer had found her way back to the writing, Kumin
wanted to elevate the discussion. She wanted to talk about her poetry. I could not oblige her. Despite the
serious homework I had done, I’m no scholar and no poet. And even though I
lived with a poet, I had no insights that could carry me through this
excruciating mismatch.
Of course my intention was never to annoy or frustrate
Maxine Kumin. But I had. I persisted with the questions she didn’t want to
answer. Call me inflexible. I took notes. I acted like everything was okay
when, in fact, I was assuring that this fiasco would fully fledge and that I
would bring her down with me. Guess what? Sometimes you just have to give it up
and walk away.
I left at dusk, spent the night at a local B&B, explored
the fabulous bookstore and somewhere around midnight, after a couple of glasses
of wine, I stopped shaking. When I got back to Massachusetts, I called my
editor and said, “I’m going to write about Andre Dubus III going on the Oprah
show instead.”
I saved my notes from the Maxine Kumin interview, not for
whatever value they may have, but to never forget. I don't want to forget her, and what she means to me. And I don't want to forget the lesson she taught me: There are times when I will fail. But there are good and bad ways to fail.
It's always good if you can see it coming before the horses slobber all over you.
It's always good if you can see it coming before the horses slobber all over you.